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Drudkh

Drudkh image provided by Last.fm Biography from Last.fm

Drudkh (meaning "wood" in Sanskrit) is an atmospheric black metal band from Kharkiv, Ukraine formed in 2002.

Drudkh was founded by Roman Saenko, the leading member of Hate Forest; Thurios, the leading member of Astrofaes; and Yuriy Sinitsky, of Lucifugum and Definition Sane. Their strongly folk-influenced music focuses on a dense atmosphere with a lot of feeling, and the lyrical contents embrace Slavic mythology, seasons and poetry. Many of the band's lyrics are derived from the works of nineteenth and twentieth century Ukrainian poets Read more on Last.fm

Drudkh on Thrash Hits

EP: Drudkh/Winterfylleth – Thousands of Moons Ago/The Gates

January 18th, 2014

Drudkh Winterfylleth Thrash Hits

Drudkh/Winterfylleth
Thousands of Moons Ago/The Gates
Season of Mist
21 January 2014

by Tom Gibbons

The Ukraine’s black metal underground is so underground that one of its leading bands, Drudkh, has a “no photos, no interviews, no website, no gigs” policy, and then streams their latest EP on Bandcamp. Awesome right? But it goes deeper – this EP isn’t just Drudkh covering lesser-known bands from the Ukranian scene (Hefeystos, Unclean, Sacrilegium) but also inviting the very English folk/black metallers Winterfylleth to contribute a cover of Hateforest’s ‘The Gates’ to conclude this four song split EP.

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Sunday Slaylist: The New Black (Metal)

March 4th, 2012

Anaal Nathrakh UPDATED promo photo Thrash Hits

All this week, Tom Dare has been guiding you through how Black Metal has evolved over the course of the last two decades (check out parts one, two, three and four if you haven’t already). Now, as the week draws to a close, we’ve asked Tom to put together the songs that have made it happen into a Spotify Slaylist, and in doing to to lovingly cobble them together in an order that somehow tries to make sense of the wildly differing styles that constitute the genre these days. Wish him luck….

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20 Years Of Black Metal Evolution – Part #2

February 28th, 2012

In this second part of his four-part feature into Black Metal’s sonic evolution over the last two decades, Tom Dare is setting his sights on two aspects of the genre’s evolution that almost seem to run counter to the musical tenets of its early years. Today he’s looking at how Black Metal has come to embrace both its proggier and more ambient sides….

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