HEY YOU: the Mercury Prize is announcing it’s 2013 winner on Wednesday 30 October 2013. That mean we’re announcing the winner of our COROT-3b Prize too. Don’t know what the COROT-3b Prize is? Well, go click on that link. Everyone up to speed? Good. You’ve got mere hours left to cast your vote, so we figured we’d use this week’s Sunday Slaylist to not only remind you of who’s up for the prize, and to prompt any Johnny-come-lately types to CAST THEIR VOTES NOW.
There are two bands under the name Palm Reader:
1. A post-punk band from Orange County, CA, formed in 2008.
Big Joy Records
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2. A hardcore punk band from Woking, UK, who released their debut EP in 2012 and a debut album, Bad Weather, in May 2013.
Read more on Last.fm
Palm Reader on Thrash Hits
October 2nd, 2013
Yes, the one-off London Christmas gigs are being foisted upon us already. The first one through the gates is the SGR Artist Management Christmas Feast on 19 December 2013 at The Borderline and isn’t the flyer a mighty fine piece of work?
From the ridiculous to the downright self-effacing in its descriptions, it’s a flyer as rich and enticing as any Toby carvery and with The Hell, Palm Reader, Feed The Rhino, TRC and the eponymous Gallows bassist in town, The Crobar is going to be one hell of a beautiful mess that evening.
Buy tickets here and then come hang in the Crobar with us after. Messy Christmas?
September 15th, 2013
Yes, yes, yes, the Mercury Prize doesn’t have any metal in it. Yes, yes, yes, it doesn’t really matter in the grand scheme of things. Yes, yes, yes, that hasn’t stopped us resurrecting the COROT-3b Prize to celebrate a dozen great British metal albums from the last 12 months. Go click that link if you need an explanation why we called that. Everyone else: go click the “Read More” link and go listen to our Sunday Spotify Slaylist of this year’s COROT-3b nominees.
September 11th, 2013
Yes, we know the Mercury Prize is just a marketing vehicle for the NME and the Guardian and we’ve genuinely given up complaining about rock and metal not being included in there – even as a token gesture, like they occasionally do with avant garde and jazz artists – but it’s a bloody good excuse to have a little celebration of the excellent British music that has been released over the past year.
August 21st, 2013
There are well over 250 bands performing over the August Bank Holiday weekend in both Reading and Leeds with dozens of comedians and DJs on top. That’s a lot of stuff to see and if you’re going to either site, you’ve only got a limited amount of time to see a maximum of ten or so bands per day. To help you out, here are a few Thrash Hits tips. Thrash Tips? Sorry.
August 11th, 2013
With the August Bank Holiday weekend rapidly approaching, Reading & Leeds Festivals are once again upon us. As with every year, Reading & Leeds have a bit fat dollop of heaviness in among the landfill indie, so for this week’s Sunday Slaylist we’ve put together a Spotify playlist of the hardest and heaviest from their 2013 line-ups.
August 4th, 2013
This weekend would’ve been the fifth Hevy Festival…but as you no doubt know by now, the festival was forced to cancel their event this year. They tried to schedule a replacement all-dayer at the Brixton Academy here in London, featuring some of the biggest bands on this year’s (cancelled) bill…but as you also know by now, they had to cancel that too.
It’s not been the best year for Hevy Festival, truth be told.
May 8th, 2013
Small Town Records
06 May 2013
by Tom Doyle
Palm Reader is an ambitious name for any band, isn’t it? The implication of being able to tell the future and the alluded to ability to therefore stay ahead of the game is a lofty claim for a quintet working in an crowded marketplace. Nevertheless, there is plenty of evidence on Bad Weather that these Woking lads have enough creative spark to, if not predict the future, then certainly to have a degree of success in it.
April 1st, 2013
We’re at the mercy of modern technology for this episode of the Thrash Hits Podcast – Raz has decamped to the USA for a few weeks for SXSW and some California sunshine, leaving the rest of us here in miserable old England. With possibly the dodgiest Skype connection imaginable, Hugh and Raz discuss how SXSW has changed over the years, as well as speculating on how two very different kinds of hype affect bands – that currently being felt by Ghost (or Ghost BC, if you’re an American) and the kind that surrounds Uncle Acid & The Deadbeats.