So we’ve already published part 1, part 2 AND Dep Ed, Hugh Platt’s Albums of the Year lists, so now it’s time for the next stage of #RaziqRaufsReignOfTerror. Here’s the eclectic and ridiculous list of Raziq Rauf.
The Mars Volta are an American progressive rock group formed in El Paso, TX, in 2001, by guitarist Omar A. Rodriguez-Lopez (b. September 1, 1975, Bayamón, PR) and vocalist Cedric Bixler Zavala (b. November 4, 1974, Redwood City, CA). They incorporate various influences including post-hardcore, jazz fusion, psychedelia, funk and salsa into their sound. They are characterized by their energetic and improvisational live shows, as well as their concept-based studio albums. Read more on Last.fm
With the year beginning to draw to a close, and with only a bare handful os Sundays left for 2012 Slaylists, this week we’re turning out attention to those we’ve lost in 2012. We’re talking about the bands that have either broken up or gone on hiatus, as well as the more serious subject of musicians who sadly died at some point over the last 12 months.
The Mars Volta
26 March 2012
by Dan Pelic
It’s not as if the point of a record review is ever to exact a reaction out of the artist itself, but this review would probably make Omar Rodriguez-Lopez and Cedric Bixler-Zavala a happy couple. Why? Because this record from The Mars Volta is such an utter disappointment – which is what they accepted it might be, because they are true artistes who do it for the art, right maaaan?
Is there anything better than a Thrash Hits Festival Splash Page? Yeah, loads of things but you won’t find the best online festival coverage on any of them. You’ll find that right here.
All our work from Sonisphere Festival 2011 is going be linked to from this page (eventually), so give it a bookmark or just don’t close it, because it’s all you’re going to need. Individual band coverage (interviews, photos, setlists and some tiny reviews), rumours, drinking games, stage times, dodgy photos of as many sexy ladies in various states of safe-for-work undress as we can legitimately get away with? It’s all here.
The Mars Volta
22 June 2009
by Stephen Milnes
Few artists nowadays release enough material for five albums, even fewer release enough for five albums in six years while working on multiple side-projects – Omar Rodriguez-Lopez has so many fingers in so many pies we think he’s got a couple of spare arms hidden away somewhere, would also explain his enviable propensity to be outrageously good on the guitar.
The Mars Volta’s Cedric Bixler-Zavala and Omar Rodriguez-Lopez are two such artists. The brains behind the sorely missed, hugely influential late 1990’s post-hardcore of At The Drive-In, they left to form prog outfit The Mars Volta in 2001 and have since gone on to produce some of the most awe-inspiring, enthusing and simultaneously impenetrable, self-indulgent music in existence.
In the midst of all these festival announcements, there’s been a little old thing called The Grammys taking place in the US of A. And unlike the rubbish mainstream music awards over here in Blighty, where heavy metal’s only nod comes from cursory nominations for Iron Maiden and AC/DC, the Americans aren’t ashamed to have awards for rock and heavy metal alongside all that pop music malarky.
Which is why it’s such a shame that they’ve balls’d it up so royally this year.