This year, the UK’s – and in all probability, probably the world’s – best experimental/post-progressive/whatever-you-want-to-call-it label, KScope, turned five years old. That’s how old Thrash Hits is. They’ve put out a whole heap of awesome records by musicians we collectively love – the likes of Anathema, Amplifier, and Steven Wilson. They’re a bona fide success story and you really ought to be more aware of what they get up to. That’s why we’ve caught up with label bossman, Johnny Wilks, to talk about the highs and lows of running the label in the latest entry in our Label Profile series.
The Pineapple Thief
In April 2008 The Pineapple Thief launched the Kscope label with the critically acclaimed album, Tightly Unwound.
Initially a solo outlet for Bruce’s music the first album, Abducting the Unicorn, was released on Cyclops Records in May 1999. The critical plaudits and small but fanatical fan base that grew around the release was enough to convince Bruce that perhaps TPT was here to stay and he returned to the Dining Room studios to work on the second TPT album, 137. Read more on Last.fm
The Pineapple Thief on Thrash Hits
October 6th, 2011
When Kscope announced ‘A Night At The Union Chapel’ we knew it was going to be something truly special. Over the past few years this record label have been putting out some of the finest progressive music around, from Steven Wilson’s solo work to Ulver. Tonight’s one-off showcase features some of their finest talent performing stripped-down sets in an intimate setting. Who else could we send to review it than Amit Sharma?