Like any artform, music is not a competition. There is only good and bad music and that categorisation in itself is all down to subjective taste. However, in a bid for scientific rigour; some quantitative analysis to fortify the qualitative spiels, we’ve asked all the Thrash Hits contributors to list their favourite albums of 2013. Yeah, it’s here to boost our egos by claiming what we say is best and it’ll surely get some good clicks and you may (rightly) point out that it’s just another list but, at the very least, you might see an album that you’ve never heard of and think about buying it. That would be cool.
albums of the year
December 11th, 2013
As much as it’s The Right Thing to say that music isn’t a competition, it’s also fair and correct to point out that music is not your children. You’re allowed to have a favourite and you usually do. That’s why we like to focus on our favourites. here are some brief explanations as to why our contributors’ favourite albums are their favourite albums.
Of course, all of these favourite albums were compiled and democratised into an overall Thrash Hits Album of 2013. If you’d like to read TH Editors, Raziq Rauf and Hugh Platt‘s Top 3 albums of 2013, you should click here. They’re special and one of them is writing about himself in third person right now.
December 11th, 2013
Due to the fact Raz and Hugh run things at Thrash Hits, their opinions are the most important. Yes there’s an overall TH Top 20 Albums of 2013 and there’s a list of the individual contributors’ favourite albums, but their opinions are also the most correct. That’s why they’ve got their own post where they can explain their own favourite albums of 2013 without being sullied by democracy.
December 16th, 2012
This week has been all about our albums of 2012 – our writers, editors, photographers, web monkeys, and everyone who’s had a hand in making Thrash Hits a success in 2012 got a chance to have their say, and we collected them all together to find out what truly were the best releases of the last 12 months. So naturally, this week’s Sunday Spotify Slaylist is also all about those records – the music we’ve truly loved from 2012.
December 13th, 2012
Well, it’s all been leading to this. The votes are in, the results have been tabulated, calculated, and any other kind of mathematically something-lated you can think of. This is the Thrash Hits Top 20 Albums of 2012.
December 12th, 2012
December 11th, 2012
So yeah, you’ve checked out Part 1 of our contributors’ Albums of the Year lists, and you’re hungry for more, right? Well, stop reading this and click the ‘Read More…’ link to find out what the other half of our contributing writers and photographers thought were the best releases of 2012.
December 11th, 2012
After 12 months of bickering, debating, fighting and general disagreement, the Thrash Hits contributors have finally settled on their records of the year. Later this week we’ll be publishing Raz and Hugh’s lists, as well as the final, collaborative, everyone-from-Thrash-Hits mathematically-calculated Albums Of The Year list, but for the time being, here’s (part 1) of what our contributors thought were the best and the brightest of 2012.
January 1st, 2012
When we asked our contributors to tell us their albums of the year, we also offered them the opportunity to retrospectively review any of their Top 10 list that we hadn’t reviewed already. Jon Kerr took us up on that offer.
11 April 2011
by Jon Kerr
Twenty years after Nevermind, Butch Vig finally produces a Foo Fighters album. In Dave Grohl’s garage. On tape. And Krist Novoselic plays bass on it. Whether you think the “Nevermind-effect” on the rock industry was a good or bad thing is one of the divisive questions for rock fans of a certain age, making this collaboration one that was destined to raise both ears and eyebrows.
December 20th, 2011
When we asked our contributors to tell us their albums of the year, we also offered them the opportunity to retrospectively review any of their Top 10 list that we hadn’t reviewed already. Ruth Booth took us up on that offer.
The Devin Townsend Project
Hevy Devy Records
20 June 2011
by Ruth Booth
With those weightless woodwind notes, we come to the final (planned) part of the four-year, self-titled epic: Ghost, the ambient calm to Deconstruction’s storm of chaotic metal. Though Deconstruction is the more abrasive and complex of the two, Ghost has potential to be the ‘difficult’ record here – and not just if you’re still pining for Strapping Young Lad. Townsend has attempted ambient and folk sounds before, though they’ve largely been complimentary or quirky flavours on more eclectic albums. Meanwhile, his only fully ambient records, The Hummer and Devlab, were self-conscious, rather willful experiments in THC sound, and remain cult choices even amongst devoted Dev fans.