Is there anything better than a Thrash Hits Festival Splash Page? Yeah, loads of things but you won’t find the best online festival coverage on any of them. You’ll find that right here. All our work from Bloodstock Open 2012 is going be linked to from this page (eventually), so give it a bookmark or just don’t close it, because it’s all you’re going to need. Interviews, photos, setlists, rumours, and who knows? – maybe even some tiny reviews – it’s all here. [Read more →]
Most people think the correct way to spell Machine Head is M-a-c-h-i-n-e H-e-a-d. Those people are wrong. As everyone who saw them at Bloodstock Open Air 2012 knows, the correct way is MACHINE FUCKIN’ HEAD. MACHINE FUCKIN’ HEAD.
Remember when we poked fun at Machine Head for having cheap-looking videos? Yeah, we pretty much found something to laugh at from every era in their history. Well, their latest video for ‘Darkness Within’ pretty much put paid to that – we’d like to think it was the cosmic impact of our bitter, bitter blogging that spurred them to break the cycle of naffness, but let’s face it – it probably wasn’t.
In fact, this video is pretty damn swish – we’d go so far as to say it has the highest production values of any MH video to date. It’s also very much NOT SAFE FOR WORK, so unless you work in the kind of place where violence, self mutilation, worm-eating, mutation, blood-letting and the like are all par the course, don’t go watching this until you’re out of the office.
Yeah, that’s right. The latest flabbergastingly casual observation by the Thrash Hits team is that Phil Demmel of Machine Head has got a MASSIVE head. As in, he’s not an arrogant, egotistical wanker (quite the opposite, in fact) – he is simply in possession of a large cranium.
Just look at Dave McClain’s tiny head in comparison to Big Phil’s! GO ON!
Poor Phil Demmel – the Machine Head guitarist has suffered another attack of Cardiogenic Syncope. The six-stringer collapsed onstage at Sonisphere Finland, during the last song of the band’s final set as part of Europe’s first travelling festival. He’s alright now though, you’ll be glad to hear.
It’s never easy getting old and seeing all the things you love getting old or, even worse, disappearing. Tony Hampton bemoans another music shop lost forever on the day the Sister Ray goes into administration.
When my granddad says it, it’s usually to make a point about walking to school in the snow with no shoes but, “Kids these days don’t know they’re born”.
In the ‘80s and even creeping in the early ‘90s you had to work really hard to enjoy your metal. There were no rolling 24 hour music TV channels, no internet (imagine that!), no ironic acceptance by the mainstream media’s fashion pages and no way a parent would buy you ticket to a gig – let alone a band t-shirt.
Ok, I’m sounding really old now, but it really was a completely different landscape.
Rock videos occasionally got aired at 2am or on The Chart Show on a Saturday lunchtime – where once a month you’d get the Rock Chart – a five-minute run down where you’d press record on your video and get 30 seconds of a Black Crowes video or Metallica‘s ‘One’.
You always hoped the “Play” icon would come up on something decent, and you’d get the full video. Invariably it wouldn’t.
Watch the Rock Chart from the ITV Chart Show from May 1989
We did have the Hard and Heavy videos though: a monthly video-zine with interviews and footage – like a clunky £12.99 VHS version of YouTube. These introduced me to Testament who are, 20 years later, still incredible and the early (and completely dismissed these days) work of the Red Hot Chili Peppers.
Or, of course, the moment we all remember like it was yesterday, BBC’s In Bed With Chris Needham. Nowadays, skin tight jeans, high-top trainers, Ray Bans, long hair and a leather jacket means you’re probably a Ting Tings fan. Back then, you were given a wide berth by people. You were scum.
When we went out to buy music there were two options – the limited selection of tapes on offer at HMV or Virgin, or the one rock-specific place, the now fabled Shades.
Located in a basement in Soho it was a glorious one-stop-shop for albums, posters, patches, magazines and all metal paraphernalia. It was like entering a secret world.
Watch ‘Mega’ Dave Mustaine on The Decline of Western Civilisation
Interview with Shades owner, Mike Shannon
Shades was incredible and is still talked about in hushed, respectful tones. It’s not an understatement to call it “legendary” is it?
To be honest, I’m not sure how people feel about Shades nowadays. At the time, from the early ‘80s onwards, it was certainly influential in the development of the music scene. Along with Kerrang! Magazine, it was the major source of product and information. With the coming together of characters such as Dave Constable, Bernard Doe, Kelv Hellraizer and Dave Reynolds, it gave rise to the fanxine, Metal Forces. For an all too brief moment in time, I feel we made our mark.
All the bands used to hang out and do signings – they obviously loved the place too. Any good tales on who passed through?
It’s actually quite mind-boggling when you start listing the bands that turned out for ‘signings’ at Shades. To name but a few: Anthrax, Badlands, Bang Tango, Bon Jovi, Danger Danger, Doro Pesch, Exciter, Metallica, Lee Aaron, Poison, Pretty Maids, Shadow King, Skid Row, Warrior Soul, Wasp. Most of what happened at that time is better left unsaid, although the vision of Sebastian Bach shimmying up Kelv Hellraizer’s drainpipe at 2am still brings on a smile.
What was the spark that made you decide to open? Are you a rock obsessive like the customers?
I started Shades in 1978 on a wing and a prayer. The idea was simply to create a rock specialist shop in London. The original premises were the size of a shoe-box with a leaky roof but £50 per month in the West End of London was irresistible. As its popularity exploded we moved into the larger premises in ’83 until 1990. I grew up with bands like The Stones, The Who, Cream, Hendrix, Free and Zep. I have always been a rock fan and remain so to this day.
What was the reason behind it closing?
We closed in 1990. A combination of Maggie Thatcher, the IRA, British Rail, HM Customs & Excise and a greedy landlord made it simply unworkable. In addition to the economic climate, the music scene had moved on and the market had become so fragmented, I felt our time had passed.
Watch Gaz Top and Kelv Hellraizer in conversation at Shades.
There were a couple of other outlets to get your fix of course. Carnaby Street also, far from being the slick Muji-obsessed tourist trap it is now did have a couple of hippie shops where you could hope to buy a Misfits t-shirt, a bullet belt and a Slayer badge.
Shades was the place. Now it is a mythical place of metal folklore – and a very, very fond memory.
26 March 2007
by Raziq Rauf
Machine Head are the kind of band that everyone hears the name of and wonders if they’ve actually done anything of any worth since their stunning debut album, Burn My Eyes. The truth of the matter is that they haven’t. Not really.