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Album: Jamie Lenman – Muscle Memory

December 2nd, 2013

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Jamie Lenman
Muscle Memory
Xtra Mile Recodings
11 November 2013

by Daniel Cairns

Remember MTV2? It used to be pretty good back in the day. Of course like most things, it rapidly went downhill and started playing the same Bowling for Soup and Sum 41 songs, but it used to be a cool place to find out about new music before the internet came along and took all the effort out of everything. Imagine finding out about a new band from the telly? Imagine telling some youth about those halcyon days, while you bounce them on your knee, sucking away on a Werther’s Original while they ignore you, their head buried in their iPad looking up gonzo happyslap violence-porn or whatever.

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Interview: Michael ‘Padge’ Paget from Bullet For My Valentine

February 14th, 2013

bfmv 2013

Hey! It’s Valentine’s Day? Is that a rubbish enough segue into a Bullet For My Valentine interview? Probably not. Oh well. As regular readers of Thrash Hits know, Bullet For My Valentine are most definitely a band we have opinions (fast forward to 33mins 13 secs…) that sometimes get us in to a bit of trouble with them. So when Nick Hagan emailed us late last year telling us that he had some time interviewing Michael “Padge” Paget from thet band (that’s him lurking behind Matt Tuck above and looking like he might bite your throat out), we said “yeah, okay,” with all the enthusiasm that two-word response implies.

That said, we do wonder what Padge would say to us now after we published Raz’s drunken 6/6 (ahem) review of Temper Temper….

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Album: Slash – Apocalyptic Love

May 24th, 2012

Slash
Apocalyptic Love
Roadrunner Records
22 May 2012

by David Keevil

Slash carries a name, and an image, that has become synonymous with rock music; from the iconic opening blast of ‘Welcome to the Jungle’, through to his bolshy groove-ridden tenure for Velvet Revolver, this is a man who’s been an ambassador for hard rock ever since the late-80s heyday of Guns N’ Roses. It’s down to being such an enduring masthead of rock music – even if his cultural zenith peaked twenty years ago – that every new Slash record must drag the weight of his much more prosperous days behind him.

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